Fabric Display Stands Provide Impact and Flexibility
Traditionally, exhibition displays have consisted of a frame with printed graphic panels placed onto the frame in pieces. In recent years, however, advances in technology have led to a shift to printed fabric graphics. Produced in one piece, they allow for more flexible stand shapes and are easier to store and transport when not in use.
From tensioned fabric stands to table cloths and flags, the amount of branded equipment that can be produced on fabric material is highly attractive – and the print technology is only getting better.
So are fabric displays the new king of exhibition graphics or will the print quality on traditional media win the day?
Let’s start by looking at the construction of the most common types of fabric stands on the market today. They generally consist of a 30mm lightweight round aluminium tube frame that simply pushes together.
The graphic is then printed using high-quality dye sublimation printing onto a fabric that has a slight stretch. Once printed, it is sewn into a"‘pillowcase" shape with a zip on one side thatis pulled over the frame and zipped up.
The fact that the fabric can be shaped easier than traditional graphics means it is becoming an attractive alternative choice for a wide range of exhibition products, from pop up stands to roller banners and everything in between.
Although tensioned fabric stands have been on the market for a few years, the demand and usage have been slower than expected, which is surprising when considering the many benefits to the exhibitor.
Benefits of fabric display frames:
Benefits of fabric graphics:
If fabric stands are such a great product and superior to traditional pop up stands why has there not been greater interest?
One reason may be awareness, particularly for first-time exhibitors since there is limited exposure to fabric material when purchasing online. Without the first-hand experience of putting up a pop-up and a fabric display side by side, it’s hard to appreciate the benefits.
Price also plays a factor, as fabric graphics and stands tend to cost 20% more than other options. Yet, as more companies start selling fabric stands, the price should come down and be more competitive.
From the exhibitor’s point of view, traditional pop up stands have served the exhibition industry well for over a decade so if it isn’t broke, why fix it? This in turn leads to display suppliers not featuring fabric stands as prominently on their websites and brochures.
For equipment suppliers, there is also the consideration of cost. To produce a
backdrop as a tensioned fabric stand you need a fabric printer that is capable
of printing at least 2.5m wide, a calendar for
roll-to-roll sublimation transfer, and a large cutting and finishing
area with sewing machines. In addition you will need to train staff in the art
of fabric finishing. This can represent a considerable investment if a print studio is not set up
for it already.
The investment by exhibit providers is continuing to increase. If fabric displays become a disruptive force in the exhibit industry, they likely will be promoted more aggressively and take over as the portable display of choice.
While you can’t go wrong with a traditional pop-up stand, fabric displays are becoming an increasingly attraction option. As the cost comes down, more
and more exhibitors will switch to fabric and wonder why they didn’t sooner.
This article was written by Aaron Inglethorpe of Discount Displays, a leading supplier of display products and exhibition stands in the UK.
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